What writers of middling success put up with. Episode 1.
I'm in the local public library, perusing the collection of books they have for sale and there's a guy standing next to me, smelling of cigarettes, also checking out the books on offer.
"Man," he says to me after a second, "there writers must be <expletive deleted> rich. Every <expletive deleted> one of them."
I take a moment to consider my own current financial situation, find it to be incompatible with his assertion, and say, "How do you mean?"
He points to an entire shelf of Anne Perry novels that are up for sale. "Look at all of them," he says, half-envious, half-contemptuous. "Don't tell me she's not <ed> rich. And then they'll go and make movies of all of them <ed> books and she'll be a billionaire."
The lineup of Anne Perry hardcovers was indeed impressive. All of them in great condition and to be had for just $2 per book. I have nothing against Ms. Perry -- in fact, I don't even really know the kind of books she writes -- but I am certainly not inspired to shell out the $30 or so required to acquire the entire collection on offer.
So I say to him. "Well, why don't you get on that gravy train yourself?"
He shrugs. "I ain't got the patience. I guess it would take a lot of time to write a book. Like a whole month. Maybe even two."
He wanders away.
I wonder away. Wish I could write a novel as good as Anne Perry's novels no doubt are. Wish I could write any novel in a month... and become a billionaire in the process.
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